Sunday, 6 May 2012

Kim DotCom wants to stick to hard-drives and motherboards



AFTER ONE LISTEN THE QUESTIONS THAT COME TO MIND INCLUDE: 

1.)    Does the guy from The Black Eyed Peas save his half decent compositions for his own band?

2.)    The last rapper his size was Biggie Smalls and we know what happened to him

3.)    Can’t a zillionaire like Dot Com afford more than a crappy photo-shopped video? 

4.)    With all those billions of songs uploaded on-to Megaupload surely Herr Dot Com could have rifled through some files and plagiarised something better than this dribble?

5.)    My money is on John Banks to don a lead-guitar and do a better retort. The good oil has it it’ll be a cover of ‘Leaving on a Jet-Plane’ with a B-Side ‘I Fought the Law and the Law Won’    

6.)    Is it physically possible for someone to sit through the whole thing?  

                   EXCLUSIVE TO THIS BLOG JOHN BANKS COME-BACK!



Wednesday, 2 May 2012

TIME TO RE-THINK N.Z MUSIC MONTH ONE THINKS



I must be getting old. I’m finding it bloody hard to get excited by N.Z Music Month. Previously I had looked forward to the event with an element of childhood-like excitement. Maybe it’s the line-up, post-earthquake malaise? Either-way I can’t get into N.Z Music Month 2012. Perhaps it’s a grand exercise that worked at one point and is now working its way to inevitable extinction? To use a Kiwi colloquialism “it’s done its dash”? Is it too long? A month is 8 per cent of a year, at least when I was at school. Rounded-up that’s close to 10 percent, inclusive of pre-publicity. Over-kill? Could not the worthy promotion of home-grown music be condensed into say two weeks? Two full on weeks which I’m sure even the most sober and Philistine Radio Stations could buy into. Two weeks of quality. Two weeks that exhibited N.Z Music in all its derivatives. My bet is punters would still attend gigs in the same numbers if it was scheduled over two weeks as against four. As a libertarian I can’t buy-into quotas = you must play more N.Z Music. The market must decide what is played and not some grey-shoed bureaucrat in Wellington. Two weeks or four won’t mean radio-stations or the media will promote N.Z Music any more than currently – that’s to say mediocre levels. So may be the powers that be behind N.Z Music Month should look at re-packaging the event. Put their emphasis behind even ‘exporting’ acts, fund a tour or two to Australia over this period? Get N.Z Music into schools with bands playing lunch-time concerts. Run competitions for ‘New Zealands Best Two Piece.’ N.Z Best Home-Made Song Video. The opportunities to promote local music are endless. They don’t necessarily need to be confined to nominated ‘months’. Irrespective of the vehicle to promote local music the best way to support these artists still remains buying their music and attending their gigs. Just watching a local bands You Tube Video gives artists a boast.  

Tune into the best of N.Z Alternative Music on ‘Ground Zero’ Internet Radio.


Sunday, 29 April 2012

VOLUME MAGAZINE IS NO MORE


I’m gutted. I’ve just learnt that Volume Mag will soon be no longer. Issue number 33 will be the last. This was a worthy addition to the local musical scene, full of interesting stuff, reviews, eclectic shit. Of the 32 issues that came out I guess I got to scan say 20 and there wasn’t one I could point to and say I wasn’t edified in some way. Clearly it can’t have been making $’s for its masters, media moguls APN Group. ‘No money in it’ is probably overall the theme-song for N.Z Music as a whole. In its seven month existence head honco Sam Wicks and his team of writers did a splendid job and deserve our accolades. Let’s hope someone takes this ball and runs with it.       

Tuesday, 17 April 2012

N.Z Olympic Song: What’s next ‘Climb Every Mountain?’


Remind me again; are sedimentary sports of golf and bowls at The Olympics these-days? It pays to ask these things given the song chosen as N.Z’s Olympic theme-song (above) sounds like it was penned by someone living in their seventh decade and a closet fan of Harry Connick Jnr?     

Let’s cut to the chase here – who the fuck can take a lyrics like "Through sweat blood and tears, you followed your dreams" seriously?

Say one of our athletes looking for motivation? 

Kiwi fans looking for a hum-along pick me up?  

On the motivation scale this croon ‘Stand Tall’ fails to register, is as inspirational as a headmaster telling the assembly to “pick-up your rubbish at lunchtime.”  

Why not do a re-make of ‘Climb Every Mountain’ and be done with?  

No I’ll go one better and suggest a re-make of Craig Scott’s Commonwealth games tune from 1974. 

The song ‘Stand Tall’ was apparently penned by Sam RB who frequents Queen Street along with humanities flotsam and jetsam. 

Unbeknown to you and me the streets of N.Z are a hotbed of busking talent and not just the haunt for some drunk doing a rendition of ‘Ten Guitars’ on ukulele.  

Wellington’s Blanketman’s posthumous rap anthem “Gotta Dollar Ya C==t”?” must surely be in the pipeline?   

But back to ‘Stand Tall’ and who the fuck decided this was a worthy song to fire-up the troops at the front and the masses at home supping coffee to stay awake in front of their telly’s? 

You don’t need to be a T.V detective to follow the blood-trail on this one.  

Scraping the surface like a sandfly it appears Sam’s benefactor, the man behind his meteoric rise to fame and a free trip to London on the tax-payer, was one Eddie Rayner. 

You’ll remember him as the keyboard player from Split Enz.  

That’s the same band the ‘Play it Strange’ chief executive Mike Chunn, the people who organised this song quest, played bass for.   

Chunn is quoted as saying “Sam RB was a major talent who had achieved against the odds.” 

With all these odds and strange’s getting bandied around here you’d be forgiven for being confused how ‘Stand Tall’ could have possibly been the best offering from the 300 entries received? 

Sadly looking at The Finalists like ‘Rise Up Your Flag’ (video below) which Viagra have picked-up on – the answer appears to be resounding yes!    


PS: I wonder if this guy has a good lawyer?



Friday, 30 March 2012

MORE SEXIST SONGS

Part Two of my on-going hunt to locate & embrace The Worlds Most Sexist Songs.

Some sad bastard had to do it!

No further preamble or edification necessary, one quick play and the songs speak for themselves.

Pssst...just between you and me I play guitar on one of these clips.

                                                     DEVO: I Need a Chick

                                         WhEn PEts ATtacK!: Home Economics

The Passage: Love Song

Pussy Galore: Cunt Tease  


Wednesday, 22 February 2012

Zappa correctly foretells on of the key reasons behind the decline of the Music Industry

I remember distinctly when I heard Frank Zappa had died. I had just comeback from a long-weekend on the piss down south (1993) and was to say the least very jaded. A week earlier I had imported a couple of his more obscure titles that were next to impossible to get locally and they were both playing in the car. I also remember the first Zappa album I got ‘Apostrophe’. It came from a long-since defunct record shop in what was then the Whitcombe and Tombs Arcade (Christchurch) Buying an autographed photo from a dealer in London in 1985. Zappa was put simply a musical genius, more-ever he was an astute and insightful human, a libertarian battler. The first clip is dead on the money why modern music is so ‘vanilla’ bland, how the rot set-in. Rather spookily it came out in 1989 (as best I can google)          

Wednesday, 15 February 2012

PRESENTING FOR YOUR LISTENING PLEASURE…..GROUND ZERO RADIO


Ground Zero Radio is N.Z’s only dedicated Alternative Music Radio Station. 

Beamed over the internet Ground Zero plays Kiwi Alternative music 24/7. 

The diverse, enriching music other stations limit to specialist shows or play in between droll tunes by The Finns, Dave Dobbyn and Herbs etc.  

It’s free and painless to register with the online Station hosts live365.   

This new Station is a non-commercial operation. 

It actually costs the DJ i.e. me money, not to mention ‘oddles of time to operate.  

It survives by fellow Kiwi's who are passionate about local music tuning-in.